The CW has left most of its original content behind, and its fall schedule will focus more on unscripted and Canadian television.
By Olivia Bono
Edited By Rebecca Armstrong
The Arrowverse—DC’s ambitious connected universe of superhero shows—officially ended on May 24 with the finale of The Flash. The Archieverse, while considerably smaller, is set to end this August with the final season of Riverdale. And the, uh, Supernaturalverse, for lack of a better name, ended prematurely with The Winchesters’ first and only season.
After relying on those three franchises for so long, where is the network supposed to go now? Brace yourselves, because The CW’s fall lineup is going to look a lot different.
What channel is The CW on?
You can catch new episodes for free using The CW’s app, but if you want to watch premieres live, you have to tune into your local channel. Luckily, our experts have you covered with this guide to regional CW stations.
The CW’s Fall 2023 primetime lineup
- Mondays: All American, 61st Street
- Tuesdays: Son of a Critch, Run the Burbs, Children Ruin Everything, Everyone Else Burns
- Wednesdays: Sullivan’s Crossing, The Spencer Sisters
- Thursdays: FBoy Island
- Fridays: Penn & Teller: Fool Us, Whose Line is it Anyway
- Saturdays: Masters of Illusion, World’s Funniest Animals
- Sundays: I Am…,The Chosen
The CW is starting the Fall 2023 season with a huge strategy change: it’s keeping only one of its existing original scripted titles. The football drama All American’s sixth season will air Mondays at 8 p.m. ET.
To fill out the rest of the schedule, The CW is leaning hard on unscripted content like Masters of Illusion, Penn & Teller: Fool Us, and a re-casted Whose Line Is It Anyway, as well as the newly acquired reality shows FBoy Island and FGirl Island. The network seems particularly proud of the FBoy Island franchise, and CW’s entertainment president Brad Schwartz calls it “a show that no other network would do,” despite having bought it off of the streaming service formerly known as HBO Max.
On Sundays from July 16 until December 24, The CW will air episodes from three seasons ofThe Chosen, an adaptation of Jesus’s life which Schwartz refers to as “the biggest IP of all time.”
The rest of the lineup is filled with scripted content poached from AMC (61st Street) and Canada’s CTV* and CBC (Children Ruin Everything, Run the Burbs, Sullivan’s Crossing, The Spencer Sisters, Son of a Critch). You can also expect the six-part sitcom Everyone Else Burns, which first aired on Channel 4 in the U.K., and the celebrity documentary film series I Am.
If you’re a devotee of Canadian television, you should check in with The CW this fall. If you’re not, though, and you miss The CW’s usual young-adult and genre TV, you can sit this season out. You’ll just have to settle for Riverdale reruns on Netflix.
*no relation to CableTV.com, sorry
The CW’s 2024 lineup
The CW is planning on shifting its content strategy, but reality TV and Canadian transplants are only part of that vision. The company reportedly wants to focus on an older and more serious age group, abandoning the younger audiences it previously courted and ultimately producing original scripted content once again. There’s one catch, though: The content has to be very cheap to produce.
Ongoing original scripted content at The CW
There are still a few legacy CW titles sticking around, although they’ll see smaller budgets and casts. The sole surviving DC show Superman & Lois, which is unaffiliated with the Arrowverse, scored a renewal for ten more episodes. The All American spinoff Homecoming and Walker will also return in 2024.
But while its fate was in limbo for longer than other CW shows,Gotham Knights will not be returning for a second season.
New original scripted content at The CW
At its upfronts event in May 2023, The CW announced a few new original scripted programs that are due to air at some point in 2024. The first is Joan, a period piece starring Sophie Turner about a British jewel thief in the 1980s. There’s also The Swarm, a science fiction show about weird patterns and intelligent life in the Arctic Ocean.
Closing out its trio of new shows is The Librarians: The Next Chapter, a spinoff based off of TNT’s fantasy show The Librarians (whose four completed seasons you can stream on Hulu and Amazon Freevee). This is the only new title that feels like the old CW—TNT’s show always felt similar in tone to CW’s Legends of Tomorrow when it was airing—and it’s the sole piece of evidence that CW might want its existing audience to ignore all of the cancellations and stick around.
New original unscripted content at The CW
Still, expect to see an emphasis on unscripted content, even after the writers’ strikes are over. Patti Stanger: Millionaire Matchmaking, The Force, and The Great American Bakeover are on the way. Going off of the company’s comments, we can assume these titles are cheaper to produce than CW’s usual offerings.
It’s not clear whether The CW plans to continue airing Canadian titles in 2024.
Sports on the CW in 2023
The CW is also counting on exclusive sports broadcasts to fill out its summer and fall schedules. Here’s what we know about its ongoing and upcoming sports calendar:
- LIVGolf League 2023 tournament coverage, weekends at 1 p.m. ET
- Inside the NFL, previously a Paramount+ show, debuting on the CW on September 5 at 8 p.m. ET
- Athletic Coast Conference (ACC) coverage, including 13 college football games, 28 men’s basketball games, and nine women’s basketball games each season until 2027. ACC coverage begins with the Pitt Panthers and Cincinnati Bearcats game on September 9.
- NASCAR Xfinity Series exclusive coverage from 2025 through 2031, including all races and most practice and qualifying sessions.
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Why is The CW changing its strategy?
There are several factors leading to CW’s desire to produce more unscripted and cheaper scripted content. The most obvious reason is the writers’ strike; very few shows are in production without the work of their writing staff.
Reason 1: The strike’s impact on The CW
The only CW show currently affected by the writers’ strike is All American—which could face delays if the studios don’t come to an agreement in the next couple of months—but the emphasis on unscripted and Canadian content makes the rest of the network’s fall lineup virtually strike-proof.
Reason 2: The CW has a new owner
The CW has been planning this switch-up for a while, beginning with the mass cancellations of 2022. Batwoman, Legends of Tomorrow, Naomi, Legacies, 4400, Roswell, In the Dark, Charmed, and Dynasty all got axed in quick succession, and Riverdale followed soon after. The network has, in the past, had a reputation for renewing shows far past their expiration dates, so this felt like a betrayal to a lot of fans.
You can blame that wave of cancellations and this new strategy change on corporate mischief. The CW used to be a joint venture between CBS and Warner Bros. (hence the letters C and W), with a licensing deal to allow Netflix to stream full seasons a few months after they aired. But Nexstar bought out CBS and Warner Bros. in 2022, and suddenly the network was a lot more hesitant to license so many WB characters.
Reason 3: Just lousy timing
A lot of contracts also expired in 2022, including the leases on filming studiosfor some of the Arrowverse titles, as well as the rights to stream completed shows on Netflix. These gave The CW an incentive to can legacy titles tied to expensive studios and come up with an entirely new lineup of cheaper shows the network could host on whatever streaming service it wanted, without having to split profits with Netflix.
One thing The CW is doing right, however, is avoiding an unnecessary rebranding. The company reportedly has no plans to pick a new name, unlike its former business parent Warner Bros. Discovery and the newly branded Max. It’s always encouraging when companies learn from their competitors’ mistakes.
Let’s start watching!
- What To Watch this Week
- How To Watch the CW
- Riverdale Faces Its Final Season
- Max Launches With User Experience Issues
About the Author
Olivia Bono
Olivia Bono loves entertainment, and she’s never going to shut up about it. Here at CableTV.com, you’ll find her writing about the wild world of streaming. Her specialty is animation—you can find much of her work at our anime hub page. Olivia previously wrote for the Cornell Daily Sun, where in addition to television, she reviewed movies, albums, and video games. Outside of work, she loves to listen to audiobooks, make art, and spend time outdoors.
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